Wednesday, November 5, 2014

Letter to Bert: Polished

To Mr. Bert Eisenstadt,
            My name is __ and I am a student enrolled into Professor Justin Roger-Cooper’s Seminar in Teaching Writing (Spring 2014). This course is a mandatory requirement for my major – Secondary Education (English) and plays an important role in enhancing my skills as an aspiring educator. The main objective of this course, from a student’s perspective, is to become better versed in the art of teaching writing across different academic levels. The course texts, Tutoring Writing by Donald A. McAndrew & Thomas J. Reigstad and Active Voice by James Moffett outline fundamental strategies for teaching writing that were constantly referred to throughout the semester. Through in-class discussions, activities, and projects revolving around the strategies presented in both texts, I discovered that writing is simply an individualistic tool that needs careful nurturing. One of the main components of the course allowed for the exploration as an observer into the field tutoring writing at the Writing Center, where I was given the opportunity to witness some teaching-of-writing strategies in close proximity. During my four observations at the writing center, I will highlight that Collaborative Learning and Talk and Writing were the most effective of the strategies. On the other hand, Correcting Errors and Usurping Ownership were least effective strategies, and may require a more measured implementation going forward.  
 
            During my first observation, the Collaborative Learning strategy was on display. The student came into the writing center in search of guidance as it pertained to a short essay pitch as a tour agent for his E-Business class. He asked the tutor for specific help as it pertained to the structure of his paper, as well as the vocabulary and punctuation throughout. The tutor set about by reading the draft silently to herself, intervening throughout to highlight stations where corrections maybe required. The tutor then activated the strategy to connect with the student’s piece. Collaborative Learning is defined in the text, Tutoring Writing as, “The tutor and the writer are connected as they question, propose, and evaluate both the draft and their interaction” (McAndrew & Reigstad 6). This process was carried out in the form of a lengthy dialogue between both the tutor and student as they re-read each line of the piece together to identify important stoppages where revision was required. For instance, the tutor asked two questions along the lines of, “Can you think of a better suited word to use here?” or “can you say a bit more about the place you are advertising?” The student also asked a few questions along the way, mostly relating to ideas he had, “do you think I should speak about the prices here?” or “do you think I should form a new paragraph to present this idea?” The characteristics of this strategy allowed for a smooth and progressive session as the student and tutor worked collectively to make significant strides towards completely a polished piece. More importantly, this strategy also provided the student that invaluable perspective of the outside reader and what she thought of the piece as a whole. After all, many students enter the writing center in search of obtaining the perspective of someone close to the expertise of their own instructor. I would certainly use this strategy in my future tutoring endeavors.
An extension of Collaborative Learning is the Talk and Writing strategy that was evident during my second observation. This strategy was implemented by the tutor because of the peculiar circumstances of the session. The student came into writing center for help pertaining to an English 102 thesis driven essay. Having stated, “Fix essay” on her sign-in sheet as her reason for visit, the tutor pulled me aside and said, “This might be a long session!” Nevertheless, after skimming and highlighting through the student’s paper while silently reading, the tutor wore a perplexed look. Before the tutor went any further, she asked the student if she had a copy of the assignment instructions. When given the instructions of the assignment, the tutor quickly reviewed it and instantly realized that the student had misinterpreted the assignment completely. At this point, whatever the student had initially planned for the revision of her paper was slowly shifting in its primary necessity. The tutor then stated to the student, “Your thesis statement and the contents in your body paragraphs do no match – you always need to support the claims you are making”. The tutor then explained the assignment instructions indepthly and pointed to the possible reasons for the comments left by the professor. After the student had understood where she’d lost track, she asked, “What should I do next?” To assist the student with her question, the tutor turned to the Talk and Writing strategy. This strategy is complexly defined in the text, Tutoring Writing as, “talk allows writers to bounce their ideas off an audience, which requires them to practice rhetorical skills as they adjust the ideas to the audience, and they thus develop the analytical and critical skills that are essential to drafting and revising” (McAndrew & Reigstad 4). Having already identified where corrections needed to occur, the tutor used this technique as the catalyst for the student to use her own thought-process during the revision. The tutor then asked the student questions along the lines of, “Tell me all you know about this particular short story?” or “What exactly where you trying to prove with your thesis?” While they both engaged in conversation, the tutor asked the student to take notes and use it as a reference when constructing the revised version of the assignment. This was a great improvisation my both parties to create a well managed session that had to shift completely from its initial goal. Most importantly though, just before the session ended, the tutor reassured the student that it wasn’t entirely her fault that she didn’t grasp the assignment instructions initially. At this point the tutor had recognized that the student was clearly distraught with the grade she’d received and seemed quite overwhelmed that she would have to restructure the entire piece in a short space of time. In Active Voice, Moffett articulates strong views regarding the forceful teachings of composition because, “Untold damage has been done in the teaching of composition by asking students to cover too much in too short a length” (Moffett 7). This theory connects well with the emotional toll that was displayed by the student. Clearly overwhelmed by the assignment, the student became of victim learning composition in an accelerated manner, one in which Moffett is completely opposed to. Nevertheless, this tutoring session was handled extremely well by both parties and sits as an exemplary example for my future encounters as an educator.

On the opposite side, there are also methods taught to refrain from when tutoring composition, they fall under ‘What Tutoring Writing Is Not’. Correcting Errors and Usurping Ownership were the two apparent strategies on display during my third and fourth observations. During my third observation, the student came in seeking help with a scholarship essay. The student specifically asked the tutor to review the contents of the essay as well as its structure. This session lasted a mere thirty minutes due to the tutor’s straightforward assessment. The tutor resorted to the Correcting Errors strategy to assist the student’s piece, which resulted in an ineffective session because it didn’t cover any of student’s primary concerns. Firstly, the tutor read the essay to himself a couple of times before giving the student his feedback. Having made his assessment, he then turned to the student and simultaneously activated the flawed method and began singling out to the grammatical and punctuation errors throughout the paper. In Tutoring Writing, this type of ill-advised tutoring strategy is defined as, “Premature concern about grammatical correctness and other rules of standard written English may truncate the rhythm of writing” (McAndrew & Reigstad 17). Obviously the tutor had strayed away from what was most important not only to the student’s needs, but more importantly the strict focus on grammatical and punctuation correctness are ‘secondary’ issues when tutoring composition. Likewise, my fourth and final observation had a similar ineffectiveness solely due to the flawed method implemented. It was another short session that lasted roughly thirty minutes and the tutor was again quite straightforward in his assessment. The student had come in with an English 101 thesis driven essay and wanted specific help as it pertained to her thesis statement. The student wanted to know if her thesis statement was applicable to the specific assignment instructions. The tutor began to read the paper and before turning to the second page said, “This will not work…this thesis needs added support or you should reconsider your views and construct a new claim”. My initial reaction to this quick judgment was one of shock, but I did understand that thesis driven essays rely strongly on a well-written thesis statement. However though, I cannot excuse the manner, in which the tutor dismissed the student’s ideas, it was an example of Usurping Ownership. In Tutoring Writing, this flawed method is defined as, “Writers should feel welcome to explore their own ideas and find their own ways to express them, without unwelcomed intrusions from the tutor” (McAndrew & Reigstad 19). Regardless of the quality or direction of the student’s work, the tutor should’ve displayed a better reasoning and reaction to what he evaluated – at least he should’ve read the entire essay before making a final judgment. Tutoring writing, from a tutor’s perspective is not about changing the way a writer thinks or writes it’s simply assisting as best he or she can on a particular assignment. In fact, the entire writing process is something never ends; it’s a gradual progression that improves with age; the implementation positive strategies and correct instructing. I believe that both tutors in these situations with better strategies would’ve had a more comprehensive and efficient sessions.

            Being an aspiring Secondary Education English teacher, I cannot stress enough my gratitude for the opportunity to observe first-hand at the writing center. Knowing that writing is an individualistic tool that requires precise nurturing has given me a new perspective regarding the proper ways in which it should be taught. I’ve observed so many different strategies, both positive and negative that have enlightened me about the precise measures surrounding the field of teaching composition. I hope the contents in this letter have provided equal recognition of the great work done by all associated at the writing center, as well as worthy suggestions for future improvements. I came away with great experiences, many of which I’ll hold onto for future references. Thank you again for the opportunity.




Sincerely,

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